{"id":17942,"date":"2022-02-21T09:09:09","date_gmt":"2022-02-21T08:09:09","guid":{"rendered":"https:\/\/abroens.nl\/wordpress\/?p=17942"},"modified":"2022-02-21T09:53:51","modified_gmt":"2022-02-21T08:53:51","slug":"patch","status":"publish","type":"post","link":"https:\/\/abroens.nl\/wordpress\/17942\/patch\/","title":{"rendered":"Patch"},"content":{"rendered":"\n<p class=\"has-large-font-size\"><strong>Digitale tekening aan de muur <\/strong><\/p>\n\n\n\n<p class=\"has-medium-font-size\">Deze ingelijste digitale tekening is met meerdere technieken tot stand gekomen. Ten eerste: de collage-techniek. De achtergrond bestaat namelijk uit een foto. Daar is de tekening op &#8216;geplakt&#8217;. Deze combinatie van twee verschillende verwerkingen valt voor sommigen ook onder het begrip: multi-media. <\/p>\n\n\n\n<p class=\"has-medium-font-size\">Ten tweede: het werken met vlakken. Deze artistieke manier om een tekening te maken wordt ook wel <span style=\"text-decoration: underline;\">topografisch effect<\/span> genoemd. Op een aardrijkskundige kaart worden gekleurde vlakken naast elkaar weergegeven. Vaak zit er per aangrenzend vak een lichte kleurgradatie in. Diezelfde stijl is hier ook gehanteerd. Zo is het gezicht bijvoorbeeld in vlakken gedeeld, die allemaal een kleur uit dezelfde familie hebben. <\/p>\n\n\n\n<p class=\"has-medium-font-size\">In eerste instantie was het gezicht frontaal getekend. Met relatief eenvoudige computerhulp (de deformatie-tool) was de patch met het gezicht zodanig te manoeuvreren dat het lijkt dat het schuin bij je wegloopt. <\/p>\n\n\n\n<p class=\"has-medium-font-size\">Van het digitale werk is uiteindelijk een hoogwaardige afdruk gemaakt. 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